Friday, May 18, 2007

The Painter Examined

            Nonesuch Records

Tribute albums are a mixed lot. There are usually a least a few tunes of merit, sometimes the concept works perfectly (as in Bob Dylan's Tribute to Jimmie Rodgers) sometimes it fails (Mojo magazine had a Sargent Pepper's tribute that was ghastly) but most fall somewhere in between.

A Tribute to Joni Mitchell is on the high end of the scale, with a lot of high-priced talent putting their egos aside and making some wonderful new versions of Joni's songs. Björk, k. d. lang, Sarah MacLachlan, Annie Lennox, Elvis Costello and James Taylor all perform admirably. Caetano Veloso remakes Dreamland into a Brazilian delight. Prince really shows his deep, life-long appreciation of Joni on A Case of You. (Joni remembers seeing him in the front row at one of her concerts when he was a child!)

The emotional center of the album has to be The Magdalene Laundries, as sung by Emmylou Harris. The misery of that situation, expressed in Joni's lyric and Emmylou's cracking voice, is almost unbearable:

I was an unmarried girl
I'd just turned twenty-seven
When they sent me to the sisters
For the way men looked at me
Branded as a Jezebel
I knew I was not bound for heaven
I'd be cast in shame
Into the Magdalene laundries

Most girls come here pregnant
Some by their own fathers
Bridget got that belly
By her parish priest
We're trying to get things white as snow
All of us woe-begotten-daughters
In the streaming stains
Of the Magdalene laundries

Prostitutes and destitutes
And temptresses like me--
Fallen women--
Sentenced into dreamless drudgery ...
Why do they call this heartless place
Our lady of charity?
Oh charity!

These bloodless brides of Jesus
If they had just once glimpsed their groom
Then they'd know, and they'd drop the stones
Concealed behind their rosaries
They wilt the grass they walk upon
They leech the light out of a room
They'd like to drive us down the drain
At the Magdalene laundries

Peg O'Connell died today
She was a cheeky girl
A flirt
They just stuffed her in a hole!
Surely to God you'd think at least some bells should ring!
One day I'm going to die here too
And they'll plant me in the dirt
Like some lame bulb
That never blooms come any spring
Not any spring
No, not any spring
Not any spring

Joni fell out of popular favor for a long time. As evidenced on this collection, her influence on a wide variety of musicians and other songwriters is immense. Joni considers herself a painter who wrote a few songs.

One for the ages.

By Professor Batty


Blogger Sharon Spotbottom said...

joni ruuules!!!!

Blogger Darien Fisher-Duke said...

PB, is the painting a self-portrait?

Blogger Darien Fisher-Duke said...

I didn't mean of you, obviously...

Blogger Professor Batty said...

Rose- it is an illustration by Robbie Cavolina from a photograph by Paul Starr. Most of Joni's album covers are self-portraits, I don't think she had anything to do with the production of this one...

Blogger Comica said...

Joni Mitchell is quite the accomplished painter, though.

This particular work reminds me SO much of Leo DaVinci...

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