Monday, April 29, 2024

Your Absence is Darkness

A Novel
By Jón Kalman Stefánsson
Translated by Philip Roughton
Biblioasis International Translation Series

Whew!

This is a roller-coaster of a tale from one of the leading modern Icelandic authors.

On its surface it is the story of three generations of over-lapping Icelandic families and their successes and failures in love. It is told from the point of view of an anonymous narrator (who is also the author of the book) sprinkled with dialogs between him and a mysterious coach-driver (who happens to have a faint smell of sulfur about him.) As the tale unwinds, the coach driver interacts with the narrator—even suggesting rewrites!

It begins with the narrator finding himself in a church in a northern town in Iceland. He suffers from amnesia; people know him, but he only has glimmerings of who they are and why he is there. The narrator has fits of automatic writing from time to time, wherein he tells the story of a woman in Snæfellsness who, years ago, wrote a monograph about earthworms that caused her to look beyond her bleak existence and passionless marriage. There are about 20 other characters who interact with the story line, fortunately there is a dramatis personæ.

While it is set in modern, post-Covid, times there is a lot of rural Icelandic life and the narrative is quite earthy at times. There is also a playlist of mostly modern pop songs! 

What the book is really about is how passions and mortality shape our lives. Stefánsson also delivers numerous little digressions about various meanings of life throughout:
Each person has his own way in life. Some are open, other less so. Some people have a great need for companionship and a social life, others are inclined toward solitude. In whatever direction you lean, it doesn’t necessarily imply anything about your disposition towards your neighbour, those who matter to you. each has his own way, and no one should go against his nature. And naturally, everyone carries his own luggage. His wounds. His knots. Some struggle with them all their lives. And it appears that certain knots can only be undone by death…
There is a distinct presence of Halldór Laxness’ influence felt throughout, Under the Glacier in particular. It is, like all of Stefánsson’s work, well-written, but it becomes a bit much at times. Roughton’s translation is as invisible as one could hope for, given the novel’s peculiar nature.

Qualified recommendation.

By Professor Batty


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Friday, April 26, 2024

Weird Tales - #1

Room 313

“We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.” ~ H. P. Lovecraft
In the University District of Seattle, there is a peculiar little bookshop. It is a haven for bookworms and comic enthusiasts alike, tucked away on a side street lined with charming stores.

On a sunny spring afternoon Sarah, a college student, was walking through the Quad, feeling restless. She had been dumped a week ago by Bob, her now ex-boyfriend, and she was now going through a bit of a melt-down. Not a full-blown meltdown, for Sarah was not the type to display emotion, just an uneasy feeling. Bob had a habit of criticizing her for her neatness, “Do you even live here?” he had said about her dorm room. Sarah had always taken pride in her organizational skills, and if Bob didn’t like it she thought it was his problem, not hers. “If it bothers you so much you can leave,” she had said. Still, a seed of doubt had been sown in the well-cultivated garden of her psyche. “Perhaps,” she thought, “something off-beat would help me get back on track.” She left the Quad, crossing over to a side street with a diverse jumble of small shops and restaurants. She rounded a corner and a book shop, one that she didn’t remember seeing before, caught her eye. “This looks like a good place to explore the esoteric.”When she entered the scent of old books seemed like insence.

Wandering through the aisles, Sarah pondered the garish covers of comic books and graphic novels. Nestled amongst this trashy pop was an old leather-bound tome. It seemed out of place among the colorful books. Its spine was adorned with faded runes and symbols. Intrigued, she took it down and gently traced her fingers over the ancient markings. Upon opening it, Sarah felt a shiver of energy pulse through her hands. “This might be just what I’m looking for.”

There was no penciled-in price on the flyleaf, so Sarah took it over to a bewhiskered clerk at the checkout desk.

“Excuse me, do you have a price for this book?”

“Huh,” said the clerk, flaring his nostrils as if the book stunk, “I don’t recognize it, let me see if it is our computer.”

“Is there a problem?” Sarah said, experiencing a mini-panic attack seeing the clerk frown as he looked his computer’s screen.

“No, sometimes books aren’t in the system,” said the clerk, “There is no ISBN, no date or publisher either. It’s probably from a vanity press… How about eight bucks?”

All Sarah had was seven dollars. “I can’t do it. Maybe five?”

“Seven,” he said with a grin.

Still too much. “Six?”

“Six and a quarter. My last offer,” said the clerk, with a pained grimace.

“Okay…”

“With tax it comes to $6.66”

Sarah paid for the book and when she picked it up she again felt a strange tingling in her fingers. It seemed to faintly vibrate, as if trying to communicate to her through her fingerprints. Stepping outside, the world around her had began to warp and shift; colors bled together and the familiar sounds of the bustling U District had now become cacaphony. A sense of unease gripped her. Once-familiar streets had now turned strange. Shaken, Sarah headed back to the campus quad, normally a serene place, now a spot where she thought things might be calmer. But when she got to it she was greeted by a raggedy busker strumming an out-of-tune guitar.

He began to sing in a raspy monotone:

Strange faces in the city collide
With little girl lost, trying to hide
Every street corner a symphony of LOUD
Disturbing dreams of a restless crowd

Sarah slowed, her grip tightening on the book, which was now vibrating in sympathy with the sound of the busker’s guitar. Each strum sent a tremor through the book.

The troubadour was looking right at her, his next lines were meant for her and no one else:

Chaos is breathing, chaos is knowing,
Life’s hidden currents is always flowing


The book in Sarah’s hands was really humming now. The runes on the cover had begun to glow a deep red. The usually tranquil quad, had been transformed into something unsettling. The trees seemed to be hunched over with twisted limbs reaching out in her direction. The air, suffused with an inexplicable tension, the sound of rustling leaves had become sinister whispers.

Crows, perching above in the trees lining the quad, had erupted into grating cawing as they took wing. Black forms with eyes gleaming, malevolent intelligence, sharp beaks in malicious grins. As they circled above her menacing shadows swirled below. Shrubbery, lining the edges of the square, began to gyrate as if possessed by some demonic force. Sarah, unnerved, dropped the book and immediately the scene returned to normal: busker gone, crows contently perched on branches, the vegetation once again benign. When she touched the book with the tip of her boot nothing happened but when she touched it with her fingers, the red glow returned to the letters on the cover. She dug a pair of gloves out of her bag and put them on. Picking up the book again, the book and the world remained normal.

Sarah was intrigued. The strange book triggered the memory of a story, a story that she had dismissed as just a campus legend. Years ago an introverted student named Eliza, had been spurned by her lover. She had told her friends that she would “get even with him.” Eliza had always had an interest in the supernatural so she sought to take revenge on him with a curse. Her attempt to summon demonic spirits using an ancient ritual she had found in an old books had gone horribly wrong. Eliza’s cries were heard throughout the dorm but when the other students investigated they found roomto be unoccupied, Eliza had vanished. The old book remained on the floor. It was room 313. Sarah’s room. Sarah had experienced some odd occurrences there: cold breezes; sounds of whispering; even the occasional “thing that went bump in the night.” She had dismissed them then, but now, with a book that obviously had some real power, she thought that perhaps she could use it to solve the mystery of her room by using it as a way to communicate with whatever spirits remained there.

Sarah would conduct her own séance.

After closing the blinds, Sarah placed her bare hands on the book and its mysterious symbols began to glow. She shut her eyes and began to concentrate. At first, there was only silence. But then a chill filled the room and the air grew heavy. Sarah opened her eyes. All of the room’s straight lines were warped and distorted, increasing her sense of unease. Slowly a figure materialized before her—a young woman with hollow eyes and a ghostly aura. Sarah somehow knew that it was Eliza, the woman who had once lived in this room. Through whispers and gestures, the spectre conveyed her anguish to Sarah: “Help me, recite the spell and free me from this affliction.”

Sarah’s heart was stirred with empathy for the tormented spirit. She would help Eliza find solace and release from the shackles of the curse that had bound her to Room 313. Sarah read the spell aloud:
O! Spirit bound by chains unseen,
In the realms where shadows glean,
I call upon this ancient rite,
To grant you freedom from the night.

Through the veil that separates,
Where spirits linger, bound by fates,
I break the bonds that hold you fast,
And set you free to roam at last.

Release the ties that bind your soul,
Let the energies now make you whole,
From this realm, you shall depart,
To find peace in the endless heart.

Eliza whispere: “Thank you.”

The room was still. The air no longer pressed down against Sarah’s lungs. The faint chill that had haunted Room 313 began to lift and Eliza, like a mist dissolving at dawn, had vanished.

The silence was replaced by the ordinary hum of dormitory life—distant laughter in the hallway, talking students, a door shutting somewhere down the corridor. The room’s distortions were gone. Order had been restored

Sarah looked down at the book in her lap. The runes were dull now, cracked and faded. She touched the cover with her bare hand.

Nothing.

She exhaled.

“It’s done.”

The next morning, sunlight lay across the floorboards in neat golden rectangles. Sarah awoke before her alarm — refreshed, oddly clear-headed. Her room looked… better. Not cleaner, exactly. It had always been clean. More balanced, perhaps?

She swung her legs over the side of the bed and paused. Her gloves were on the floor near the desk. She had a faint memory of dropping them — but not when. Shrugging it off, she dressed and headed to class.

The Quad felt normal. Students crossed the grass in loose, careless diagonals. Crows perched in the trees. A busker played near the fountain She couldn’t quite place his face, and he glanced up as she passed.

Sarah slowed. Had he been there yesterday? She couldn’t remember. The thought dissolved as quickly as it formed. Over the next few days, small things began to settle. Her textbooks lined themselves more squarely on her shelf — not moved, just… corrected. The faint draft beneath her door disappeared. The subtle unevenness in the hallway floor no longer existed. Even the ticking of the clock seemed steadier, more symmetrical. Her classmates remarked that she seemed different: “Calmer,” one said. “Lighter,” said another. Bob passed her once near the library. He opened his mouth as if to speak, then frowned faintly — as though something about her did not quite match his memory.

“Have we—?” he began.

Sarah smiled politely. “No,” she said.

That evening, she returned to Room 313. The door resisted her key for a moment — not jammed, just unfamiliar with the motion. When it opened, the air inside was cool and still. The book lay on her desk. She was certain she had placed it in her drawer.

For a long moment she stood in the doorway, studying it. The leather looked older now. The edges more worn. She stepped closer and opened it and noticed something subtle on the inside cover written in small, careful script:

Eliza Martin, room 313.

Sarah closed the book gently and set it down so that it aligned perfectly with the edge of the desk.

In the hallway, a pair of students were talking:

“Room 313?” one whispered. “Isn’t that the one where that girl disappeared?”

“Yeah,” the other replied. “What was her name again?”

There was a pause. Inside the room, Sarah tilted her head slightly, listening.

“Something with an S, I think.”

After a moment, the voices faded.

The room felt complete.

Perfectly balanced.

And very, very still.

Sarah was alone.




Friday Fiction , YA/AI edition.

By Professor Batty


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Monday, April 22, 2024

Coachella Valley Preserve

The Coachella Valley Preserve is just a little north of the Palm Springs area. My visit there a few years ago was a great day-trip: nice hikes, picturesque palms, and even an oasis.
If you go, bring a hat, a camera, and plenty of water, (check out the opening times before going), summer is insanely hot so winter is a better bet. It is free (donations appreciated) and not terribly overrun with tourists. It is possible to catch some shade:

By Professor Batty


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Friday, April 19, 2024

Dinkytown Digressions

“Dinkytown” is a four-square-block near the Main University of Minnesota campus in southeast Minneapolis. My first experience there was as a teenager in the 1967—helping my father rehab one of the numerous 19th century houses there that had been converted to student housing (all of which are now gone.)

In late 1959 and early 1960 Bob Dylan slept here:
He lived in a small converted closet (behind one of the second story windows), above what was then Gray’s Campus Drugs on 14th Avenue and 4th Street. A venerable building from 1920s (when much of Dinkytown was built), I visited it often when I was a miserable student at the U in the late 1960 and early 70s. After Gray’s closed in 1998 it became a restaurant where I had eaten once. A victim of Covid, it now sits empty:
A few streets over on 13th and 5th is the Chateau, a Ralph Rapson designed high-rise. Its brutalist style was shocking when it was new in the late 60s. I remember going to a social gathering there in 1968 and thinking of how modern it seemed. That iteration was torn down and an 18 story high rise was erected in 1973. Spartan would be an understatement.
It is still popular—there is a waiting list for vacancies—but it remains an architectural outlier, all the new housing in the area consists of boxy “4-over-1” construction:
A far cry from Bob’s humble digs, 64 years ago.

In the 1970s, I worked hundreds of hours mixing sound at a club on 4th Street and 13th Avenue (across the street from the Varsity Theater) in a venue that has also since been renamed and remodeled:
Revisiting Dinkytown brought back memories—some bitter, some sweet—of my time spent on and around (Positively) 4th Street. At least there is still a bookstore in Dinkytown, where a discerning scholar can still find the priceless tome he needs for his dissertation:
One thing I didn’t see a lot of was students. There is probably a reason for that.

By Professor Batty


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Monday, April 15, 2024

Running on Empty

Death and Taxes.

Both are a way of emptying one’s life.

Actuary tables vs. tax tables.

I’m still alive, but our new tax bracket (due to 401k disbursements) may well be the death of me.

By Professor Batty


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Friday, April 12, 2024

Faux SG Custom

Another day, another guitar… This is a MIC version of the venerable Gibson Les Paul/SG Custom guitar of 1961.

It is actually a pretty nice guitar, better in some respects than the original (and at 1/20th the price of a re-issue and at 1/60th the price of a vintage model!) While some would object to this guitar as a “rip-off”, it allows modifications without destroying its value, including gold switches, cream knobs and an aged pick guard. The smaller switch allows the middle pickup to be switched in but out of phase; Keith Richards had a similar mod on his Custom.

More guitars on FITK…

By Professor Batty


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Wednesday, April 10, 2024

Ten Years Ago on FITK

More From the Emerald City


Roosevelt Way NE, Seattle, April 8, 2014

My first trip to Seattle was in 2002.

The first thing I noticed then was the vitality of the city and its citizens. Maybe it was all the coffee? Subsequent trips reinforced this—the population density and activity gave me the feeling of living in an anthill. This time, however, something seemed different. The noise level certainly hadn’t abated; the cacophony in the city center (buskers, performance spaces, sonic art installations, sea planes, traffic) was almost too much to bear. The change I sensed was in the people. It seemed as if more and more of the massed throngs had that same flat affect of the hard-core digerati—too much time spent hunched over a screen, nervously scrolling, with a corresponding loss of physical vigor. The same things I’ve noticed in myself. When I see a campus full of young people dimly grazing their devices I wonder what they’ll look like when they are as old as I am.
One of the things I wanted to accomplish when I first started this internet adventure ten years ago was to become as much as an original content provider as a content consumer. I can see that balance is now starting to tip in the wrong direction. The Seattle trip highlighted these concerns. I was much more engaged there (although it helped that the weather was gorgeous) that I had been in months at home. I took more pictures in six days than in the previous six months:

By Professor Batty


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Monday, April 08, 2024

On Photography

The most distingushing feature of this blog is its imagery.

Mostly photo-based, although with manipulation and even a bit of AI-enhancement, it is harder to draw the line between illustration and photography. I erase that line whenever I think that the text could be improved with a dash of “visual enhancement.” When I was young I was pretty inflexible with my concept of photographic purity. Now, anything goes for me (with the exception of disingenuous malfeasance.) There is a fair amount of technique in my images, but how I create them doesn’t matter as much instilling a response in my viewers.

So, no discussions of camera models, lenses, f-stops, ISOs, workflows or shutter speeds here.

Photography is practical magic, and I am its practitioner. Enjoy the show. May your faded memories be stirred and suppressed emotions be rekindled—perhaps even getting some Punctum!

By Professor Batty


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Friday, April 05, 2024

The Lights in the Sky are Stars

Whiling away the hours of a mundane existence.

The lights in the sky are stars but they, too, will pass.

By Professor Batty


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Wednesday, April 03, 2024

Kenergy

So cool…


Posterized screenshots taken from YouTube Video

By Professor Batty


Comments: 1 


Monday, April 01, 2024

Secret Lives of Cats

Betty, 1982

Betty was a barn kitten I managed to hook up with when she was just the right age; already independent but not feral. She was the best cat with whom I ever shared a domicile. We were living in an old inner-city neighbor at the time, on the edge of an industrial area. She lived both inside and outside, an affectionate and interactive housemate in, and the queen of the neighborhood cats when out.

We did take her with us when we stayed at a cabin near Mora, Minnesota. She was just as home there, and would tag along when I went for walks in the nearby woods. Outside of exercising her natural tendency to prowl, I never quite knew what she was thinking, but I never doubted her ability to “live in the moment”, a lesson I still remember to this day when ever I feel bored.

Her “secret” is safe with me.

The same secret holds true for my backyard Blue Jay:

By Professor Batty


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