unravel

Twenty Years Ago on FITK

while you are away
I dropped the Weaver off at the airport today.
my heart comes undone
She had a spring break from work, and she decided to spend it it a rain forest.
slowly unravels
I took my dinner alone tonight.
in a ball of yarn
When she's home, sometimes I don't say much at dinner.
the devil collects it
When she's gone, I never talk at all.
with a grin
Sometimes we will talk after dinner, for an hour or more.
our love
When we first met, we talked for days and days.
in a ball of yarn
I guess everybody slows down a little as they get older.

he'll never return it
She'll be back Friday.
so when you come back
And then we can talk again.
we'll have to make new love

"Unravel", by Björk

Comica said…

Out of all the entries I've read, this one is officially one of my favorites…
I don't know what it is, but it really captures my heart.

Reposted

Our Town

A play in three acts:

No Kings Protest, Anoka, Minnesota, March 28, 2026

Ólafur and Friends

A new video featuring Icelandic and affiliated musicians on the power of collaboration:



I’ve experienced performances by most of these artists, even the perfumer! There is even a scene of Jofriður Ákadóttir in her ultra-cool studio in the Icelandic countryside as well as various backgrounds in Reykjavík and Seltjarnarnes.

A perfect counter to my rant last Monday (about The Reykjavík Grapevine,) this video makes me want to go back…

Hippies in the Heartland

Twenty Years Ago on FITK

In 1970, the year after Woodstock, dozens of rock festivals sprang up in the US and other parts of the world.

This was IT: The Youth Revolution, or as close as we got. In the small town of Iola, Wisconsin (near Steven’s Point), some unknown entrepreneurs threw together a three-day (THREE DAYS, MAN!) festival “The People’s Fair” with a big, if somewhat thematically diverse, line up: Buddy Rich's big band, Chuck Berry, Ravi Shankar, Ted Nugent, The Paul Butterfield Blues Band, and many other regional and/or “almost famous” acts (Ides of March, Crow, Terry Reid, etc.) The crowd was estimated 10,000 (probably) to 60,000 (wishful).

What the concert lacked, however, was any form of structure, security or police. A tent city sprang up, with a "dealer's row" of drug merchants offering up just about anything you could desire (morphine suppositories, anyone?). A Chicago-based motorcycle gang thought this would be a good place to intimidate, harass, and rape women (there was a shoot-out Saturday night that caused the whole crowd to move as one, driving out these miscreants.)

There were lighter moments too, however, as the blissed-out flower child in the photo above suggests. Afterwards, all music festivals were much more strictly run; beer and booze replaced pot and acid (well, not entirely) as the drugs of choice, and the Upper Midwest’s summer of love was soon forgotten, replaced by heavy metal ‘Edge Fests’ for the rockers and ‘We Fests’ for country music fans.

End of an Era?

Image: Reykjavík Grapevine

I recently came across an article in The Reykjavík Grapevine, a tourist/culture paper/website that opened with this declaration:

The Reykjavík Grapevine is broke. We need money. Yesterday we had to inform our staff journalists, Iryna, Ish (pictured holding our latest Best of Reykjavík magazine at our annual Best of Reykjavík Award ceremony) and Jói (who couldn’t attend the ceremony, and thus isn’t pictured) that we won’t be able to afford their work unless our fortunes change. This was incredibly difficult and sad to do, because we are a small, tight-knit team who do this job out of love. It has been our purpose to bring journalism and cultural coverage of Iceland to our readers for almost 24 years, and while business has always been difficult, it has become ever more so in the past few years, making it harder to fulfill our purpose. Hell, we’re one of the last — if not the last — cultural publication still in print in Iceland, a country with a single daily newspaper left.

I had followed RG for years, my presence in Iceland was even acknowledged a couple of times in 2006! During the early Iceland Airwaves they published a paper edition every day of the festival. As the only English-language pper in Reykjavík they had plenty of advertising. During the Covid-19 epidemic, The Reykjavík Grapevine was a beacon, shining light on Iceland’s struggles with the pandemic, led by its intrepid editor Valur Grettisson, his dog Polly, supplemented by the capable and personable intern Poppy Askham. Their twice-weekly video forays covering a country in lockdown were both informative and entertaining—so much so that I even sent them some money! After Covid lessened its grip this publishing enterprise got new owners who wanted to “take it in a new direction.” They weren’t obvious changes, but its tone changed. Instead of Poppy or Valur (and his adorable dog) celebrating Iceland’s beauty and attractions, we got snarky podcasts from the new editor and his cronies.

I stopped following it.

I’m Shakin’

More musical mayhem from The Explodo Boys. Chris Harwood: lead vocal and bass, Gerry Kruger: guitar, George Kuczek:drums, Dan Rowles: keyboards.

Waitress in a Donut Shop

Twenty Years Ago on FITK

Once upon a time...

… there was a doughnut shop on a corner, about a mile from where I work. I’d stop in when I had skipped breakfast (and sometimes when I hadn’t) to pick up a Bismark or some other pastry. It was run by an older man and his wife; she was usually behind the counter, he was often in the front, at a table with his buddies, shooting the breeze and smoking cigarettes.

And then it was only her. She was obviously tired, she had the appearance of someone trapped in a dull nightmare. Looking at her closely, I realized that she was actually much older than I had first thought, certainly over 70, perhaps as old as 75. One day another customer asked about “Bob.” She told him how he was doing (not so good) and that the stroke had taken a lot out of him.

I’ve been thinking a bit about my retirement lately. I’ve always said that I wanted to work until I dropped, but I’m not so sure of that anymore. To toil at something that really doesn’t give much back seems kind of pointless now. Unfortunately, with the United States’ deficit and poor economic prognosis for the foreseeable future (for the middle and lower classes, at least) I may well end up like that waitress.

I stopped going to the shop. A few months later it was closed, then it sat empty for a few years, and finally it was torn down to make room for new construction. That scenario plays out too much like a metaphor for life for comfort.

“Would you like that order to go?”

Teasin’ You

The 2001 version of The Explodo Boys cover this Earl King tune, first made ‘popular’ in 1965 by Willie Tee. Chris Hardwood lead vocal and bass, Gerry Kruger, guitar, George Kuczek, drums, Dan Rowles keyboards and Harmony vocal.

Arboretum Attractions

Washington Park Arboretum, Seattle:

Wanda Gág Day!

Image: Wanda Gág by Robert Janssen, circa 1939

Podcast on Wanda’s life and art (starts at 6:44)…

Rachel’s 13 things about Wanda Gág.

Much more on Wanda…