Youths converge on the neighborhood store near the pool…
I spent much of my pool-time Thursday morning surrounded by a clan of unruly Scots and Rasia, a pleasant Finn I had met last year, discussing Airwaves (and drinking) strategies. A 90-minute flight makes Airwaves more of wild week-end than planned vacation, and the description of the Scot’s hostel (“Hadn’t been updated since the war…”) made me thankful for my digs in the center of town.
After a very leisurely 2-hour soaking (no laps today, the lanes were full) I got out of the pool, dressed, and made my way to the pool’s lobby area where a carafe of coffee and
Unsteinn Manuel Stefánsson were waiting. Unsteinn was a founder of
Retro Stefson, the very first band I saw at Iceland Airwaves in 2006! Since then Unsteinn has done numerous things in music and Icelandic theatre, I had seen him last year in
Ibuð 10b at Þjóðleikhúsið. We talked a lot about the theatre, his relatives were active in it and he got to see a lot of plays as a child, including
Þetta er allt að koma, a play which blew my mind in 2004 when I was 53, I can hardly imagine what it did to his when he was only 14! We also discussed Halldór Laxness, Hallgrímur Helgasson, Ólafur Ólafsson, and Silja Aðalsteinsdóttir, in a flowing conversation.
What a great guy.
In the afternoon I hit an off-venue, specifically
Smekkleysa, the Björk and the Sugarcubes-founded record shop. The first group was a guitar/drums duo that was incredibly LOUD! Ear plugs were offered and many accepted. I left after a while, going up the street to
Bókin, a quiet refuge where I had often sought
refuge in the past. It was no help, the thunder that was
Dreymandi hundur penetrated to the bookshop’s deepest recesses.
I walked up Hverfisgata to Hlemmur and Lucky Records, but the act that was scheduled next was one that I had already seen last year.
Returning,
Shymfaux, two guitars and the same drummer as the first act began to play. Not nearly so loud (or am I already jaded?) they were really sort of a jam band, playing riffs off each other:
After a short break for some noshing, I returned to Smekkleysa to catch one of my all-time favorite Airwaves acts, Gróa. They were augmented by another guitarist who actually fit in very well:
They did not disappoint. More about this performance at a later date.
The the way back to my apartment for a light dinner, I stopped in Fríkirkjan, where
Andervel was performing his Mexican-inspired balladry with a small band and a great drummer:
After a bite I saw a bit of
Falinn Gjoður at Lemmy's. They were playing really weird, angular guitar lines, a synced drum track, and odd vocals. Not my thing:.
Things got stranger. At the City Hall venue
Farveblind may have been playing but lots of sync tracks including the lead vocals… I think? The drummer
was playing some but was definitely augmented. I don't know what the guy on the left did:
Back at Lemmy’s, the Irish band
State of Grace was backing up a female singer (Grace?) If her name was Grace, she was in quite a state, indeed—mostly rage. Very well sung and played:
On to Kolaportð, the largest venue, where I had my first Kevin Cole sighting of the festival:
He was there to catch the venerable Icelandic band Mammút:
Another real band, they were dynamic and exciting in their stage presence. Again, not my thing.
I stopped into Iðno to see what on earth World Peace DMT was. I left still not knowing:
Finally, I returned to Fríkirkjan to catch some of Tár, a folky band with a dramatic singer/bassist:
Also very good, but I had had enough for one day.
Music of the day: Gróa, they once again put me in a state of musical Nirvana.