Monday, July 22, 2024

Hvítur dagur

A White, White Day

A film by Hlynur Pálmason

The last time I saw Ingvar Sigurðsson was in person, in Vesturbæjarlaug, sharing water with him in one of the larger hot pots. With 91 acting credits on IMBD, Ingvar is arguably the preeminent Icelandic film actor. I’ve also seen him on stage; he is a commanding presence in any medium. In A White, White Day, Ingvar portrays Ingimunður, a police officer in a small town on the eastern coast of Iceland. He is old enough to have an eight-year-old granddaughter but still young enough to work. He is stoically grieving his wife, who died in a car accident. His family and friends (and a horrible psychologist) all try to help but, as the film develops, Ingmunður regresses from anger into rage as he learns more about the circumstances that led to his wife’s death.

This is a very stylized, fugue-like film; lots of static scenes are repeated with variations. Verry arty! It is also extremely sad, the slow-burn of its pacing might drive you crazy. Special note must be made of Ída Mekkín Hlynsdóttir as the granddaughter Salka. She is the female lead and is pitch-perfect as a child who must deal with a adult world twisted by events beyond her understanding.

Recommended, respecting the above-mentioned caveats.

By Professor Batty


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Wednesday, November 01, 2023

Iceland Airwaves Day 0

It officially starts tomorrow, but there were a few events today.

I spent yesterday noon at the pool where I struck up a conversation with two people, one was a thirty-something man I learned was Guðmundur Óskar Guðmundsson, the bassist for Hjaltalín! He was most surprised when I told him I had a copy of one of his limited release albums. My other pool-mate was a friend of his, a lively older woman who was 95 and proud of it (“I still drive!”) and we shared travel stories and commented on the weather (not a cloud in the sky again today!) Today was another beautiful day at the pool (45°F, sunny, no wind, long conversation with an Icelandic woman about Icelandic literature, music, and drama all the while soaking in a hotpot directly across from Ingvar Sigurðsson.) I reluctantly left her and the pool for it was time to officially start this thing. I made my way over to the Iceland Airwaves check-in and got my wrist band.

At 15:00 I saw the teen-age punk-rock band BKPM at 12 Tónar. Before their set one of their fans thought this small venue would be a good place to touch up her fingernail polish:
It gave the show a definite punk rock atmosphere, bringing back olfactory memories of teen-age huffing! BKPM started their engines with a song about “Cars and Autism”:
I returned to my flat to rest and recoup before I went out for dinner, (which is a story for another day.) I just missed Róshildur at Reykjavik Records, I liked her videos so I took a picture:
After that dinner I caught Cyber at a preview night concert at IÐNO:
They were as outrageous as ever, especially since the lead singer Salka had given birth three months prior (“When I jump up and down like this it makes me have to pee!”) The highlight of the night was their heartfelt cover of Britney Spears.

Between sets I talked a bit to KEXP’s Kevin Cole, who was there in a semi-official capacity. He said since they have stopped doing remotes he has actually had more time to listen to bands. Jae Tyler, a hard core rocker, then gave it his best shot, but I had to leave, it was after midnight by the time I got in, I needed to pace myself for the coming days.

By Professor Batty


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Thursday, October 08, 2015

Heimkoman at the Pjóðleikhúsið



Ingvar Eggert Sigurðsson… hilarious… on a scooter!

Need I say more? The Homecoming by Harold Pinter, is a strange two-act play which explores the dynamics of sexual power in an English family when Teddy, the eldest son, brings his 'wife' Ruth home from America to the seedy house where his father, an uncle, and two other brothers live. In the version I saw, in preview at the Icelandic National Theatre Thursday evening, the house had morphed into a service garage complete with operating plumbing. A sleazy psychodrama unfolds in this hyper-realistic yet surreal set. I could understand few of the words, but the emotional language of the actors was quite clear. Some full male nudity added to the mix. In a short conversation with the woman sitting next to me (who goes to ALL the plays), I mentioned some of the more memorable plays I had seen there and her appraisals matched mine.

Earlier in the day, at the pool, the Icelandic author Þórbergur Þórðarson came up in conversation. My companion mentioned another book by this author which I will have to pick it up when I return home. In the book the protagonist pines for a young girl who "still had a bit of God in her." When he returns from fishing, the girl had grown up and the main character becomes disillusioned with the result. As we were talking, in the shallow wading pool near us, there were numerous young children getting rudimentary swimming instruction. Their shrieks and cries were, to my ears, akin to birds singing.

"Those children still have that little bit of God in them, don't they?" said my companion.


By Professor Batty


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Monday, February 13, 2023

Castle House Tuesday Morning

Chapter 7 of Search For a Dancer, a serial memoir about a week I spent in Iceland. Mondays on Flippism is the Key
Ikea dominates the decor in The Castle House.

Universal, Scandi, neutral, Ikea’s greatest asset is that it doesn’t get in the way. Tables, chairs, kitchen utensils, bed and bath, its all there, the same as everywhere, Castle House is no exception. Even the little artistic touches in the room are inoffensive and forgettable. On the other side of the apartment door is Reykjavík in all its wind-swept glory, a mash-up of modernism, both early mid-century and post. Most of the buildings are less than than 100 years old; building booms in the 1920s, 40s, 50s and 60s shaped the inner city, while the outlying areas are more recent. It was Tuesday, my first morning in the Castle House. A breakfast of dismal English Weetabix and delightful European strawberries started my day.

I packed up my swim gear and left the apartment, walking between the National Museum and the church, then down to the path along the pond. I felt good, the air temp was in in the mid-thirties (3°c) and the sun was shining and the wind had yet to make its presence known. The mile-long walk to the pool was invigorating. Going past the cemetery, then alongside Grund, the senior residence (my room is ready) and then I turned off of Hringbraut and walked through the residential area, streets lined with pebble-dash and shell-dash stucco houses, mostly duplexes and four-plexes. They were old enough to be remodeled; construction activity was present in almost every block.
The Vesturbæjarlaug pool was a bee-hive of activity.

I did my laps, explored the various hot-pots, and finally settled in at the 40°c hot-pot. I saw Ingvar, the actor, make his rounds, and was soon joined by a man who recognized me from years previous. “You’re that guy with the Halldór Laxness website,” he said. I had recognized him immediately because he was a doppelgänger of one of my neighbors at home. We made some small talk, he asked why I was here. I mentioned the festival, and also said that I was going to meet up with some old blog-friends. “I’m having lunch with Silja A—, the writer at TMM, to talk about the new translation of Halldór Laxness’ Salka Valka. “Oh, you’re in good hands with Silja,” he said, smiling.

Everybody knows everybody here.

On the other side of the lap pool was a grass-covered earthen berm, it helped cut the wind and offered a bit of privacy. As I talked with my old ‘pal’ I noticed two men in swim suits lying on the side of the berm, feet up-head down. The air temp was warmer now, it had risen to 4°c (39°f) but it was still cooler than I would like when taking a nap in my Speedo. They must have stayed there for several minutes, I stopped watching after a while, when I looked up later they were gone. I looked at the clock and it was 1230 hours. My luncheon date was at 1400 hours, and on the other side of the city from the pool, about a half mile from my apartment. I said goodby to my tub-mate, and headed back to the apartment to prepare for the afternoon’s adventure.



Search for a Dancer Index…

By Professor Batty


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Monday, April 19, 2010

Reykjavík-Rotterdam

So the Minneapolis - Saint Paul Film Fest is finally here, and over the weekend I did manage to catch three films. One was French (35 Rhums), one was Chinese (Dixia De Tiankong- The Shaft), and one was Icelandic- the aforementioned Reykjavík-Rotterdam. The French and Chinese films were both slice-of-family-life dramas, very minimal action, and not a whole lot of character interaction either. They both had some redeeming qualities, but entertainment was not one of them.

Óskar Jónasson's film was, in contrast, a vivid and at times sordid crime drama. Co-written by the director and Arnaldur Indriðason, it is a "last caper" movie, with Baltasar Kormákur in the lead role as a reluctant bootlegger. An excellent cast includes many regulars from the Icelandic scene including Ingvar Sigurdsson, Ólafur Darri Ólafsson, and Jörundur Ragnarsson. Although it does feature some good local color, it is more of a Hollywood style movie. Indeed, it is being remade with Mark Wahlberg in the lead! Lots of hoods, creeps and lowlifes, with some disturbing beatings and bloody violence. Realistic footage on a freighter and a wild heist scene in Rotterdam filled out the well-plotted story. Not much of Icelandic culture, but as I said, it is a Hollywood style movie, and a successful entertainment.

By Professor Batty


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