Wednesday, October 28, 2009

The Pastels


Of the many local bands that formed in my neighborhood in the mid-sixties, the only one which could be considered a “rival” of the groups I was in was The Pastels. Most of the bands were composed of the usual male-teen proto-punk groups playing songs like Louie, Louie, Wipe Out and, later, bands like The Yardbirds and The Rolling Stones. We were geeky, erratic and raw boys. The Pastels were a quartet that sang and played folk music and were everything we were not: Poised, disciplined, and talented girls.

We knew them well, we were involved in many of the same school activities and were competitive in our studies as well. We were a bit jealous of them, for they could play “gigs” we couldn’t- social affairs, school programs, even parades! Their events were “civilized.” We played in fraternity basements and for teen dances where a fight could break out any minute and illicit liquor replaced soft drinks and tea as the beverage of choice.

The final week of of our senior year, there was a “Senior Talent Day” (arranged by The Pastels of course) where several musical acts put on a show for the rest of the school. The Pastels were gracious enough (grace was another thing which we boys lacked) to invite my then current band, The Hungry Freaks, to play in the show. The Pastels were on prior to us; we were last on the bill. They had added a bassist and a snare player, and were excellent as usual. We added rap, feedback, sirens and dissonant organs to ours. For our finale we smashed guitars as some of the band members with Soviet flags overran the stage, “fighting” the other ones.

Thirty years later, we got that old band back together and played for our class reunion. We were better behaved, and we could actually play. We invited The Pastels to perform, but they declined. In fact, not one of them attended. Later I found out that years ago, just after high school, there had been a rift in their group, something about boy, and they had never played again.

That was too bad. I loved that band.

By Professor Batty


Comments: 3 


Friday, January 05, 2018

Little Latin Lupe Lu

Talkin’ ‘bout my baby…

The Righteous Brothers song “Little Latin Lupe Lu” was a staple among local bands in the Twin Cities in the mid sixties. One such group, The Chancellors, released a cover version in late 1964. It was a regional hit and also received limited airplay in other markets. I’ve been researching the song for an upcoming reunion gig of my old high school band, The Hungry Freaks. The Chancellor’s anemic version came up on YouTube; it was about as lame as I had remembered. I had seen the band live on a couple of occasions, once at a Catholic high school dance that I attended with my old childhood friend, Kevin. In an unrelated action, the County Library had been digitizing old yearbooks from that era so I looked up the school that held the dance to see if I could find a picture of the Chancellors in action.

My search was rewarded:


The Chancellors at De La Salle High School, Friday, September 3rd, 1965

An even more serendipitous discovery was finding the face of a fifteen-year-old Batty, mesmerized by the awfulness of the band:



The song itself has an interesting history of its own—a story of cross-cultural relations that seemed so natural then—in a time before insane politicians tried to make everybody hate each other.  Bill Medley, the song’s composer, relates the story in this video:

By Professor Batty


Comments: 2 


Friday, July 13, 2018

1962 Fender Stratocaster

A borrowed guitar.

Yours truly, Minneapolis, October 1967

The Strat in question was “shell pink” in color (a girl guitar!) with mismatched strings—the A string was wrapped in black plastic. I don't remember it as being special in any way, it probably needed a proper set-up.

Having had sold my Les Paul Special a few months prior, I needed a guitar to perform with a country/jug band, The Hungry Freaks. We performed a down-home version of Hank William’s Setting the Woods on Fire for our high school homecoming. It went over so well that we found ourselves playing for a dance and a talent auditorium.

At the time I was known as “Fuzz King”, note the Maestro FZ-1a effect pedal in front of the Gibson GA-95 RVT Apollo amplifier (both borrowed as well.) There were two microphones plugged into the first channel—the amp was also used as a PA! No recordings exist of this group, which may be a good thing. There is, however, an 8mm movie:

By Professor Batty


Comments: 0 




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