Tuesday, April 21, 2009

On the Town - Part II


It was a dark and stormy night. Well, it was blustery and cold, perfect weather to attend a screening of the film White Night Wedding (Brúðguminn), directed by Baltasar Kormakur. We were on the east side of the river for the Minneapolis-Saint Paul International Film Fest- now in its 27th year, still hopelessly disorganized, but a great way to see films from around the world. White Night Wedding is a loose adaptation of Anton Chekhov's Ivanov.


This tale of a miserable professor and his marriage woes has been turned into a dark tragicomedy set mostly on Flatey, a small island off the Icelandic coast. The mixed time line of the film, which could be a bit confusing for some viewers, unfolds slowly then gradually comes to a climax in a riotous wedding scene. Of course, any dramatic production which includes the sublime Laufey Elíasdóttir and a nearly-naked Ólafur Darri Ólafsson (I've seen three of them now!) is OK in my book. There is even has a cameo from my favorite girl group. It should be on IFC in the future, it is also Iceland's 2009 submission to the Oscars. Highly recommended.


The showing we went to was oversold, they may reprise it in May...

By Professor Batty


Comments: 5 


Monday, June 05, 2023

Terra Incognita

Chapter 23 of Search For a Dancer, a memoir of a week spent in Iceland in November 2022
One of the goals of my trip was to catch some Icelandic Theatre.
With a thin Airwaves line-up this night, I was glad that there was a stage production that I could attend. I have had numerous transcendent moments attending plays in Reykjavík and tonight’s offering at Þjóðleikhúsið was solidly in the tradition of surreal Icelandic theatre.
Sjö ævintýri um skömm (Seven Fairy Tales of Shame) a play by Tyrfing Tyrfingsson had been expanded from an earlier one-act which had been a hit in a festival setting. Several of Iceland’s most celebrated stage and screen actors were in it, including the lead Ilmur Kristjánsdóttir (from the TV series Trapped!) as Ölga, Ólafía Hrönn Jónsdóttir (White Night Wedding) as Ölga’s mother Amma, the venerable Kristbjörg Kjeld (who starred in the 1962 film The Girl Gogo) as her grandmother Fanney, and Hilmir Snær (101 Reykjavík) playing against his usual leading man type, as an alcoholic psychiatrist who takes on a troubled client: Öğla.
The psychiatrist abhors cognitive behavioral therapy, and believes that the cure for Ögla's distress lies in finding its roots—which is shame. We follow the two of them throughout the play as she tells the doctor about seven adventures that are crucial to her dilemma, and were caused by the people who were closest to her.
The key dynamic of the work is the uneasy relationships between Ölga and her grandmother and her mother as it shows us how ‘wounds’ are inherited between generations. Playwright Tyrfing used a lot of his childhood memories for the set pieces with the grandmother.
In Ilmar’s performance as Ögla she draws the audience in, and then she falls apart like an onion as the play progresses. She is not easy to love, she is on edge and confrontational throughout the play. Olga is married to Hanna (Kristín Þora Haroldsdóttir), and the two women have the most outrageous artificial insemination scene-gone-wrong I had ever seen:
A crucial scene of the play revolves around the relationship between Ögla and Hanna, about the paradox of the fantasy of love with love in everyday life.
Seven Fairy Tales of Shame celebrates the magic of the theater, queerness and everything that is strange, oblique and excessive in life. This was not your standard dinner theatre fare, and yes, there were dancers:
Immediately after the play, there was an old-school cabaret in Kjallarinn, the basement stage of the theatre, a room I’ve loved ever since seeing several good sets there in Airwaves 2006. This night it featured classic burlesque routines, including a raunchy cowboy, an upside-down strip tease by a man balancing on a hoverboard and, of course, counter-whirling tassels. A little bit naughty (although really quite quaint compared to the play I had just seen) and even had a sword-swallowing clown! It was all in Icelandic, the MC said that if you didn’t understand it, just ask your neighbor—who will become your new bestie!


All images taken from Þjóðleikhúsið promotional materials


Search for a Dancer Index…

By Professor Batty


Comments: 0 


Tuesday, December 28, 2010

Reverse Viking



This Christmas I plundered Icelandic culture, a reverse Viking, so to speak. No Harðfiskur, alas, but plenty of music, movies and reading. Jar City by Arnaldur Indriðason, was a gift from my blog-pal Rose, to replace my missing copy. Definitely related to that book is the non-fiction Promising Geonomics, by Mike Fortun (a signed copy!) about deCode Genetics, the Icelandic company doing genetic research. My nephew found a copy of the vinyl LP What's Hidden There?, a reissue of a scarce prog-rock album by the early 70's Icelandic band Svanfriður. I'm almost afraid to listen. I have listened to the late 90's CD Super Shiny Dreams by UNUN, fronted by another blog-pal Heiða (you'll have to Google translate her site); pleasant pop by a super-group of Icelandic musicians.

Rounding out my hoard are three DVD's: the legendary 101 Reykjavík, White Night Wedding, and Devil's Island. I've reviewed Wedding, I'll post reviews of the others as I watch them.

Finally, the best for last:

The Islander: A Biography of Halldór Laxness by Halldór Gudmundsson. 600+ pages, I'm only on the first chapter and it is already great, a review of this book will be forthcoming as well.

By Professor Batty


Comments: 3 


Friday, November 07, 2014

Love Letters

This is chapter 23 of The Matriarchy, a serial fiction novel on FITK



After he left Mary put her hands on the commode’s marble top and closed her eyes. Again she saw nothing but she held her pose, trying to quiet her thoughts in the hope that Emily would make herself manifest again. Mary opened her eyes and began to look closely at the commode. It was well made, with distinctive joinery on the edges of the drawer fronts. She carefully lifted the marble top off and set it aside. Empty, and with the top removed, the commode still seemed heavier than its appearance suggested. On a whim, Mary turned the piece on its side, exposing its bottom. The wood there was smooth, it was flush with the bottom edges of the sides and back.  Something about it didn’t look quite right.

“Even an expensive piece of furniture wouldn’t be finished like this on the bottom,” Mary thought, “There should be blocks of wood glued here. What’s behind this?” She gave the panel a rap: it responded with a muffled thud. Looking at the perimeter of the panel, Mary noticed that there was a thin gap where it joined the sides and the back. On the front, however, the panel was rabbeted into the kick-plate and the joint seam had been filled with a line of glue.

It’s another drawer,” she thought, yanking on the kick-plate. It made a cracking sound but didn’t yield.

Sean walked in with some cardboard boxes.

“What’s up?” he said, noticing the upended washstand.

“I think there is another drawer in this thing; behind this panel. Set it down again. Good. Now, on the count of three, give that bottom board a yank on your side as I pull on the other side.  One… two… three…”

The front board released with a loud ‘sprong’ and, just as Mary had suspected, revealed itself to be the front of a shallow drawer, cleverly held in place by flat springs.  It was full of envelopes containing handwritten letters. All of them were addressed to Emily Carroll.

“Treasure.” said Sean.



After the EMTs had wheeled Roger Ramsen out to the ambulance, Sally O’Donnell returned to Roger’s office to notify his daughter with the bad news. She picked up his phone and searched the phone’s directory for Nora’s number. Finding it, she placed the call. As she waited for a reply Sally came to the realization that Roger’s computer, which he had never allowed anyone else to use, was still on. When Nora finally answered, Sally told her of Roger’s attack and where he was being taken. Nora said that she would be at the hospital in an hour.

After Sally hung up, she rifled through his desk where she found a new USB drive in an unopened package. She unwrapped it and put the drive in the computer’s USB slot.

Sally took a deep breath and began to search through his email.



“The only thing left is the trunk,” said Mary, “Will you do the honors?”

“This has been a day full of surprises,” said Sean, “Can we take any more?”

“Just open it, Sean.” Mary said, impatiently.

Sean lifted the heavy trunk lid and opened it all the way.

“More old newspapers… ” said Mary, as she peeled them away, “… tissue paper… and beneath… My God! It’s full of clothes. These must have been Emily’s. Oooh… designer labels!” Mary lifted up a red satin gown. She draped it over her body, “And just my size!”

“Thinking of going retro?” asked Sean, handing her a stunning black and white art deco outfit.

“God, these are all stunning!” said Mary, her eyes widening.

They began to pile the garments, interleaved with tissue paper, on top of the commode. At the very bottom of the trunk, they found a garment bag. Sean held it up while Mary opened it.

“It’s a wedding dress!” said Mary.

“It’s your wedding dress,” said Sean.



That night Mary, who had been unable to sleep, went gone down to the parlor with a box that held the letters that she and Sean had discovered. The events of the last few days had left her with an urgent desire to learn everything she could about Sean’s grandmother. Mary was just as keen on figuring out what her role in this strange plan would be: she felt that it was something great and mysterious and profound, a thing bigger than she could imagine. Mary thought that she’d see if the letters held any answers to these mysteries.
Miami Beach
Florida
June 3rd, 1939

Dearest Emily,

   I live in a dream of impossible visions. Visions of your body, your lips, your acceptance of me into your most private domain. I had hoped that this reality would come to pass but the fact that it has come true is almost more than I can bear. To-night a brilliant moon lights my little tropical paradise. The caress of the waves on the shore reminds me of our passionate embraces. If I have inspired your life of art, you have lifted me in my mundane world of commerce. I work here with a joy which comes straight from you. I am going to plan a trip in the winter and this time I will bring you down here with me. You would be enthralled by the scenery. I could work with you around dear. You are inspiration for many things. Please answer this my gipsy love.

   Let your light in the window of love shine on me.

   Your darling,
   John

It wasn’t what she had expected.

Bimini
June 11, 1939

Dearest Emily,

   Our boat leaves for the mainland early tomorrow morning. I am hoping upon hope that I will find your return letter. In the same way the waves lap against the shore of this island I wish I my lips and tongue could kiss your skin—sometimes with the softness of a quiet enfolding; other times with a rush of passion—in the same way each wave contains an underlying savageness then alternates with a recession, only to recoup its vigor for another thrust.

   Dancing with you was exquisite joy… as your nude body met mine in that most ancient embrace. Your quiet acceptance of me during the rest of that day was also a joy. I felt that I belonged to you – in the way that a dog wants to be firmly owned. Our days together, the trip to Harlem - all was fun.

   Of the prosaic things of life let me write but little. My work progresses speedily and well. On this desert isle the main occupation is work - the next is swimming followed closely by fishing, but these pursuits are diminished by your absence.

   Good night darling - when you took me you threw a lighted match into a hayrick and this conflagration is the result.

   Yours,
   John

Mary put down the letters. She thought about the distances that had existed between Emily and her lover—not just space, but time as well. Modern life, with its instant communication, shortened the time needed to allow feelings to develop. When nothing is anticipated, nothing has value. Does anyone even write love letters anymore?  Modern life was sorely lacking in romance.  She resumed reading:

July 6th, 1939
Dry Tortugas,
Florida

Dearest Em:

   Two of your letters arrived yesterday and I have read them over and over. You have filled up my life; filled a void I never knew existed. Emily, I have a habit of keeping my friends. It is important to keep the sweet, clean
streams of friendship clear and unpolluted with the mud of commonality. Our rivulets of love have merged to create a beautiful river; the river becomes a torrent—an unstoppable force of nature. The memory of your song and your lithe body dances through my brain. The reality of our passionate night returns in all its glory. The coming of the dawn was merciless as it rendered asunder the engulfing fabric of the velvet darkness. Your pearly body—as beautiful as a fawn’s. Your arms–a softness that bespoke tenderness. Your embrace—a strong grip on life. A life—where nothing can keep us apart. A love—beginning the first night I saw you.

   About this strange island I find myself ‘stranded’ upon: a long sliver of sand, drenched in sun, surrounded by azure seas, beautiful for bathing. Animals: rats and a few goats, beautiful blue herons, a comical pelican. Plants: various cacti, coconuts, scrubby cedars, some incongruous white lilies. I found a new specimen of flora, “The Moon Flower”, nestled in a secluded spot. Closed during the day, I discovered it open during the last full moon. The plant had turned its face so that the the lunar orb was shining down on the blossom; a beautiful sight. It reminded me of how you looked down on my upturned face with the light of desire, that grace followed by the offering of your breasts held up for me to kiss: first one then the other—a mental picture which elicits a new surge of blood—my erection is the only proper compliment. I hold the memory of that scene as my inspiration. You cannot fail me dearest one. The years ahead hold no dread for me if they increase as love has: my love for you and yours for me.

  Good night, and a kiss rides the moonbeams north…

   Yours,
   John

Mary shivered with expectation. Mary’s sense of time had begun to dissolve: sitting in Tina’s parlor, surrounded by antique furniture, reading love letters from one of Emily’s lovers—she began to feel very close to the woman. It was if the year was 1939, she felt as if she was Emily. She picked up the next letter:

July 28th, 1939
Washington, D.C.

Dearest Emily,

   I returned to an orgy of work. Some of my projects have suddenly became insistent and I am tied hand and foot now. It will be impossible for me to go up to New York on the 3rd as I had hoped. If I am upsetting your plans let me know. I have to be in Washington on the 4th for at least three meetings with government officials, probably more, which means I cannot possibly take any time off for at least three weeks. The situation in Europe is changing rapidly: the Germans are looking to invade Poland which means war between them and France and Britain. I fear the USA will be not be able to keep out of it for long.


   My next scheduled trip to New York is on the 23rd of August. On the 28th I leave for Boston for meetings on the 29th. I will remain there until Thursday the 31th then head back to New York. It looks as if the best time to get together is Saturday the 26th. If you can make it then we will dance together—some place in New York, perhaps Harlem again—just you and I—and after that we will go somewhere to finish up the night.

   We were so delightfully intimate on my last trip. I feel as if I am finally beginning to know how the little girl, who you were, grew into such a delightful woman. I certainly wish I had a photo of you when you were young. You must have been charming—still innocent and gentle—yet always containing the possibility of a volcanic eruption, a cataclysm hiding underneath an untroubled surface. A paradox of tranquil compassion and violent passion. The gentleness which flows from your hands is like the softness expressed in the way a baby plays with its mother’s breast as it feeds. It has always been one of my regrets that my hands are not soft enough in caressing you - there is too much desire in them. I cherish the softness. One of the special things about our relationship is that in it we both can escape into our simpler selves. I feel tired when I leave you but I feel a new self within me—at peace with the forces in the world which trouble me and rejoicing in the world I've found in you. For the next five weeks I must work like a fiend. Drop me a line soon, dearest…

   Yours,
   John
Mary returned the letters to the box. Waves of confusing emotions swept over her: desire, revulsion, sorrow, exhilaration—all these sensations were intermixed with a growing sense of connection with Sean’s grandmother. As the feelings grew, they began to overwhelm her. She started to cry. At first in simpering sobs, then full on wailing. Mary’s tears poured out without restraint, supplanted by wordless convulsions as she gasped for breath, causing her body to be twisted in anguish. In a break between spasms, Mary could feel a coldness wrapping itself around her. She thought she heard a voice; at first indistinct, but it quickly became clear. It was a woman’s voice, the voice of a stranger, but Mary knew whose voice it was.

“Do not weep, my dearest Mary, for in all these things you shall prevail,” said Emily.

And Mary was comforted.






Fiction

By Professor Batty


Friday, December 12, 2014

Replay

This is chapter 28 of The Matriarchy, a serial fiction novel on FITK



That night, as she was in bed examining the book she had received from Edwin Duddle, Mary looked up and watched Sean undress. His body still held its youthful appearance.  Sean's ‘aura’ was diffuse—not just around his head, as if it was a halo. His skin was marred only by the large scar in his lower torso and a smaller one above his heart. Mary let her mind wander to the events which led up to his disfigurement. The small scar was a memento of the relationship he had with his previous girlfriend Molly while the larger one was caused by an unknown assailant at Senator Clarkson’s fundraiser in Virginia. Sean had undergone a stint in physical therapy after his stabbing and he still did exercises to strengthen his core.  Mary could ‘see’ what seemed to be ‘folds’ in Sean’s aura, centered above the scars. In her continued state of heightened awareness these aberrations held a special interest. When Sean was completely naked, Mary put the book down and got out of the bed.

“Come here. I want to touch you.”

“Anytime,” said Sean, smiling.

Mary placed her hand on his chest and touched the smaller scar. She immediately received a mental image of Molly’s face as her teeth sank into Sean’s flesh. As she continued, tracing her finger over the line in his skin, Mary was able to ‘scan’ the event—even to the point of being able to see Sean and Molly together in that squalid motel room. Mary began to recite the dialog between Molly and Sean:
“Oooh! You look delicious!”
“Ohmigod! I’m so sorry- I didn’t mean to hurt you.”
“It’s alright, it was just a reflex action.”
“That’s gonna leave a mark!”
Astonished, Sean looked at Mary and shrank back a step.

“How did you know that?” he asked, “Those are the exact words we said when Molly bit me.”

“I don’t really know how I know,” Mary said, “It seemed as if I was in that motel room. Let me touch you again.”

   As Sean stepped closer Mary's fingers reached down to his belly. As she explored the larger scar she began to describe the scene of his stabbing:
“I see a bathroom, and you are crouched over a toilet… you are vomiting… there is a another man, coming into the room… he’s behind you… he picks up your jacket… and throws it over you, he has a knife in his hand, he thrusts it into you… you collapse to the floor… the man says ‘Bastard’… he turns to leave. The man… his face is very clear…  the man is Roger Ramsen.”
Mary stepped away. They remained silent for several seconds. Finally, Sean spoke:

“Well, now we know who we’re up against. Too bad your vision would never stand up in court.”

“We’ll have to connect this all somehow. We’ll look at Billy’s files again, or maybe there was something in the hard drives from your Mother’s computer that would link him with Ramsen. We could run checks on his activities. That O’Donnell woman, she’s his mistress. Maybe we can get something on her. I’ll check into it tomorrow at the coffeehouse. While I’m doing that you can buy yourself some wedding clothes.”

“How about you? What are you going to wear?” said Sean.

“I've got Emily’s dress,” Mary said as she removed her nightgown.

“This new-found power of yours… ” Distracted by Mary’s nakedness, Sean hesitated for a moment, “ …it might make make foreplay a little tricky?”

“I’ll leave your scars alone,” Mary said.

“I wasn’t thinking about the scars,” Sean answered.

“Don't think,” Mary said. She noticed that his ‘body aura’ had brightened considerably. Taking his hand, she led him into the bed.




After Sally O’Donnell returned to her town home in Seattle, she spent some time getting situated. As she ate, Sally sat down with a glass of wine and opened her laptop. She wanted to take a deeper look at the files that she had copied from Roger Ramsen’s computer. Her first stop was his email.  Some of the senders’ names were familiar to Sally but others remained cryptic. Those emails repeatedly referenced something referred to as ‘The Plan.’ Sally began to take notes.



Sean drove Mary into town the next morning, dropping her off at The Magpie while he went to Amundson’s clothing store.  Mary sipped her latte as she checked in with her lawyers. They had no new developments to report. She instructed them to work up a file on both Roger Ramsen and Sally O’Donnell.  Just as she was finishing, Sean walked in with two large shopping bags, filled with clothes.

“I’m afraid these duds will be no match for Emily’s dress, but then I'm no peacock," said Sean as he began to show Mary the clothes, “What do you think?”

“Don’t sell yourself short,” Mary said, looking through his purchases, “They’re fine. I’m done here, do you need the laptop? I’m going to go across the street, to talk to Edwin—the man I told you about yesterday—the one who gave me Emily’s book? I want him to look at Emily’s drawings.”

“I would like to use the laptop. Let me get some coffee first. I’ve got some things I need to check on.”

After Sean returned, Mary went across the street to Edwin’s shop.

“Mr. Duddle?” Mary said loudly as she entered, “It’s Mary, Sean’s fiance.”

“Just a minute,” he said, his disembodied voice coming from his office in the rear of the store, “I’ll be there in a minute.”

Mary looked around the shop. Nearly everything in it seemed to possess some special quality. She didn’t know if that was due to her heightened awareness or was simply a result of Edwin’s peculiar taste. After a short wait, Edwin emerged from the rear of the store, smoothing his thin, white hair with his hands. His halo was very pale, a silvery-gray.

“You’ve come back,” he said as he smiled and offered Mary his hand. When she grasped it he cradled hers as if it was a bird, “Now, how can I help you today?”

“Mr. Duddle, I’ve brought some of Emily’s drawings I’d like you to take a look at,” Mary said as she set the portfolio on the only uncluttered spot in the shop, “They seem to indicate what I’ll call, for lack of better words, ‘power centers.’  I’ve found some of them already. I thought that you might be able to help me find the others.”

Edwin looked at the drawings, silently examining each one in turn.

“Yes, I do know most of these places,” he said, “You’re right about them. The places they depict are portals, but can only be recognized by only those who have the ‘gift.’ They are openings to a world which exists beneath the world of our everyday existence. You have experienced some of this already, is that not so?”

“Yes. I am learning with each encounter,” Mary said, “These four drawings, the ones on top, I know about them already. Do you know where the others are?”

“Just a minute, let me get something,” Edwin went back to the office and returned with a well-used county map, “This is a little old, but things haven’t changed too much around here in the last thirty years. I’ll number the drawings of the places I know, and put those numbers on locations on the map. It should place you close enough to them so that you can find them on your own.”

“That is much appreciated,’ Mary said, “Have you been to them?”

“Some, like the Porter House here, are right down the street. Others are hidden away, in the country. There are a couple I don’t know.”

The old man went through the drawings again, carefully numbering each drawing and putting its corresponding number on the map. When he had finished, he put his pencil down and spoke: “These drawings are an atlas, an atlas of portals, no, not portals, ‘doors’ might be the better term, they are normally locked, you need a key.” He paused, then looked Mary directly in the eye, “If the doors of perception were cleansed, everything would appear to man as it is: infinite. That’s William Blake.”

Mary let this sink in for a few seconds. Then she spoke: “I talked to Tina yesterday. She told me about what had happened between you and her and Emily, about why Emily left and why Tina doesn’t talk to you. I don’t think she bears you any ill-will. It’s just something that happened a long time ago. She said that it would be alright with her if you witnessed our wedding tomorrow. I would like you to be there.”

“I’d be glad to be your witness,” Edwin said, “But about that business with Tina, I can’t undo what’s been done. Emily taught me many things, things which you’re learning now, as well as other things which you will soon discover. What happened between Emily and me, well… I was young and she offered me a glimpse of heaven. How could I refuse?"




Fiction

By Professor Batty




. . . . . . . . . . . . . . . . . . . . . . . . . . . . ©Stephen Charles Cowdery, 2004-2025 . . . . . . . . . . . . . . . . . . . . . . . . . . .