Monday, April 19, 2004

Tónlist

Here is the list of the various Icelandic and other Nordic/Arctic musical groups I’ve mentioned in FITK over the years:

Áki Ásgeirsson
Amiina
Andy Schauf
Apparat Organ Quartet
Árný
Árný Margrét
Atli
Ásthildur Ákadóttir
Ateria
Áuslaug Magnusdóttir
Æla

Baggalútur
Bára Gísladóttir
Bárujárn
Bedroom Community
Benni Hemm Hemm
Between Mountains
Biggi Hilmars
Björk
Björt
BKPM
Bláskjár
Borko
Bríet
Brimheim
Buff

Cosmic Call
Cyber
Daníel Bjarnarson
Ditka
DJ Margeir
Dr. Spock
Egill Sæbjörnsson
Eivør
Elin Hall
Elisapie
Evil Madness
Flesh Machine
Fókus
Frid Fufanu

Gabriel Ólafs
Geðbrigði
Ghostigital
GKR
GDRN
Greyskies
Gróa
Grúska Babúska
Guðmundur Óskar Guðmundsson
Guðni Thorlacius Jóhannesson
Guðrið Hansdóttir
GusGus
Gyða

Hafdís Huld
Halla Tómasdóttir
Halli Guðmundsson
Ham
Hekla
Hekla Magnúsdóttir
Hellvar/Heiða
Hildur Gunðadóttir
Hildur
Hilmar Örn Hilmarsson
Hjaltalín
Hjörvar
Högni
Hraun
Hudson Wayne
Hugar
Iðunn Einars

Jakobínarína
Jana
JFDR
Jófríður Ákadóttir
Jóhann Jóhannsson
Jóhanna Elísa
Jóhanna Rakel
Jonathan
Jonfri
Joshua Wilkinson
Júniús Meyvant
K.Óla
Kaktus Einarsson
Kalli
Kevin Cole
Kimono
Kira Kira
Kiriyama Family
Kitchen Motors
Kjallarakabarett Kónguló
Kristín Sessala
Kvikindi

Langi Seli Og Skuggarnir
Larus Halldór Grimsson
Liva Mo
Ljáðu Okkur Eyra
Lupina
Mag og Tómas
Magnús Jóhann
Marius DC
Markús & The Diversion Sessions
Marta Ákadóttir
Mikado
Mezzoforté
Mr. Silla
Mugison
Múgsefjun
Mukka
Múm
My Summer as a Salvation Soldier
Mysterious Marta
Neonme
Nini Julia Bang
Nóra

Oculus
Ojba Rasta
Ólafur Arnalds
Ólöf Arnalds
Orphix Oxtra
Osmé
Óttarr Proppé
Pale Moon
Páll Óskar
Pellegrina
Pascal Pinon
Pellegrina
Peter Evans
Petúr Ben
Rakel
Red Barnett
Retro Stefson
Reykjavíkurdætur
Róshildur
Rokkurró

Salka Valsdóttir
Samaris
Screaming Masterpiece
Shadow Parade
Shahzad Ismaily
Sigrún
Sigrún Stella
Sin Fang Bous
Sindrí
Siggi Ármann
Sigur Rós
Ske
Skúli Severrisson
Sóley
Sólstafir
Sprengjuhöllin
Stórsveit Nix Noltes
Sunna Margrét
Svavar Knútur
Sycamore Tree
Systur

Tappi Tíkarrass
Team Dreams
Tilbury
Toggi
Úlfur Eldjárn
Ultra Mega Technobandið Stefán
Una Torfa
Uni
Unun
Útidúr
Valgeir Sigurðsson
Vicky
Wim Van Hooste

† = Fellow Travelers

By Professor Batty


Monday, June 19, 2023

Cirrus-ly Soaking

Chapter 25 of Search For a Dancer, a memoir of a week spent in Iceland in November 2022
It’s good to live in the moment when on vacation.

No what-might-have-beens, no second guessing your itinerary, no comparing this trip to another one. The weather, while still warm by November standards, had turned a bit windy, so I spent most of the afternoon in the hotpots at Vesturbæjarlaug swimming complex. There were a lot of people there with Airwaves armbands, and even a couple of performers (Hi, Pale Moon!) Lolling in the shallow oval hot-pot, laying back with my head on its rim, I gazed at the wispy clouds floating high above me. Allowing my brain to stop, just being one with them, was a moment I will long remember.
Discovering and being part of the pool culture in Iceland has been one of the great  joys of my life. There is now a film about it, here is the trailer.

I spent a long time in conversation with Lárus Halldór Grimsson, a Icelandic music veteran who had been in the prog-rock band Eik in the seventies. He was full of stories; hanging out with David Bowie, writing music for plays, and had even portraying a young Halldór Laxness in a television production! Lárus seemed to know everybody in Iceland, and was full of arcane references, but I think I surprised him when he mentioned Baggalútur and I said that I not only knew of them that I had seen them perform and I even had one of their CDs. I spoke of the Ákadóttir twins of Pascal Pinon and he knows their father well. We also spoke of the late, great Jóhann Jóhannsson whom he knew back in Jóhann’s days in Ham, which brought out my story about seeing Ham perform the previous night. From Ham and Johann it was just a slight turn in the conversation to Hildur Guðnadóttir, the Academy Award-winning composer. He had given her a stuffed Pink panther doll when she was a small child!

Speaking of children, a young man with a boy came into our pot, the man explained that the boy was autistic, and liked to take water-bottles! I moved my $8 medical-grade water bottle away as the scamp cavorted around the pool as we talked. The man wasn’t his father, he was just a friend of the family (and not even an Icelander!) and had some free time so he took the boy to the pool to give his parents a little time off. No big deal, it takes a village to raise a child. I managed to give the boy a side-eye wink that he caught and answered with a shy  smile.

After the pool, I sauntered back to the apartment. It was a bittersweet trip; by this time tomorrow I would be in the Keflavík airport, waiting to return home. Along the way back I took lots of pictures, I know from previous trips that I will revisit them as a way to make the trip come alive again. Some people say that taking pictures doesn’t allow a person to fully experience the moment, but I would disagree. When I take pictures I pause and reflect on my surroundings and take the time to absorb details and vistas that would otherwise be lost.

Rehab in Vesturbær:
Hóllavallgarður:
Skothúsvegur:
Listsafn Íslands:
Castle House Apartments:
My home away from home…


Search for a Dancer Index…

By Professor Batty


Comments: 0 


Wednesday, December 29, 2010

I Love You, Big Dummy

Due to my Holiday haitus, I missed commenting on the passing of Don Van Vliet, also known as Captain Beefheart. Don was a painter and an enormously influential musician who, along with his group The Magic Band, released a series of albums- the most notable being Trout Mask Replica and Lick My Decals Off, Baby. Wildly experimental, The Captain's Howlin' Wolf-inspired vocals delivered his abstract expressionist poetry over angular beats and disjointed melody lines. Not easy listening but, if one is able to cross the threshold into the Captain's house, very rewarding.

I saw the Captain perform with his band in 1971 in the intimate confines of the Guthrie Theater in Minneapolis. I had heard the Decals album, but was unprepared for what was a total assault on my musical sensibilities. The band was unbelievably precise, playing with inspiration and intensity. The Captain was a man possessed. It was certainly the most memorable concert I have ever attended.

I'll leave you with some of Don's finest poetry in the form of the lyric to his song Doctor Dark, from Lick My Decals Off, Baby:

Mama, mama, here come Doctor Dark
Horse clippin', clappin' 'n his ol' hooves makin' sparks
Black leather lady Lord carried her bags
The hell horn, hell horn, hell horn
Horn rim crimped
Glasses look out on the pale hell bent
Moon milk run
O' lady go home
Lord they done cookin' done
Black lady
Black leather lady
Done had a white, white, white poor son
Mama, mama, here come Doctor Dark
Horse clippin', clappin' 'n his ol' hooves makin' sparks
Gotta git me who I want to
God, Lord knows I've got to oh see that Doctor Dark
Mama, mama, here come Doctor Dark
Horse clippin', clappin' 'n his ol' hooves makin' sparks
Shed a tear on the meadow lark 'n like
Tear t' drink
T' brush away
'n tear apart 'n black 'n white 'n like
Tear t' drink t' brush away
'n tear apart 'n black 'n white 'n like
The moon a pail of milk spilled down black in the night
Little girl lost a tear
'n her kite
T' the night 'n like 'n light
God, Lord knows I've got to oh see that
Doctor Dark

By Professor Batty


Comments: 1 


Friday, February 13, 2015

Midnight Assignation

This is chapter 37 of The Matriarchy, a serial fiction novel on FITK



Mary and Sean spent Saturday exploring Mineral Point. That evening, over dinner at The Brewery Creek Inn, Mary was still bothered by the contents of the book that Sean had purchased at the antique store.

“Sorry to have been so moody on our honeymoon,” Mary said, “This is a great little town. You made a good choice. When I think of the lives of the miners and their families who lived here years ago,  it’s almost impossible to comprehend. A miner’s life was hard enough, but to be out here in the frontier the way they were—grubbing lead from hand dug holes—I really should be grateful for what I have, even if things have been very strange lately,” Mary said, pausing for a moment, then continuing, “I do get tired of the sexism and racism, though. In my more paranoid moments, it seems to me that there is a secret organization whose sole function is to repress women and minorities. The concept probably goes back to animal dominance perverted into a quest to exalt men to god-like status: absolute authority, no responsibility.”

“A capricious and fickle god. Nothing seems to have any stability anymore,” said Sean, “Politics, economics, and this whole thing with Emily; my life has become strange too, stranger than I would have ever imagined. But better.”

“Better how?”

“Better than before we became lovers.”

“Better than before the rings?”

“The rings,” Sean said, “I was afraid of losing myself in you completely when we were wearing them the other night.”

“They did make me appreciate certain aspects of your masculinity more,” Mary said, “but I was surprised at how closely we synced as we approached climax. Different methods to the same goal?” Mary continued, “I never said ‘I love you’ to anyone before I got to know you. Now, in light of what has transpired between us, I’m beginning to think that I don’t know what that phrase means. When ‘I’ and ‘You’ become the same, the only thing left is… love.”

“Love,” said Sean, “The rings do change the equation. I was alarmed, but I want to wear them again tonight, love.”

“OK, love,” Mary said, smiling for the first time that day.

They continued to eat.  It was after nine by the time they were finished; the place had emptied out. They went back to the cabin.

“Rings on or off?” said Mary.

“On,” said Sean.

After they made love, Mary got up and went into the bathroom.  Its walls had been decorated with fanciful paintings of elves and fairies and brownies. The paintings were dated in the late 1940s. Mary smiled, thinking of the children who had enjoyed this escape from reality. All the tedium of daily life—its pains, its joys—all of that would be a distant memory for those children, if any were still alive. The art had endured, however,  its import remained as vivid as the day it was painted.

When Mary returned to the bedroom, she noticed that Sean had already fallen asleep, still wearing his ring. Mary thought of removing hers but did not. “Sweet dreams may we share this night, to rise, refreshed, in the morning’s light.” she mused. It was nearing eleven when she turned off the bed lamp.



A full moon was rising over what the men of The Brotherhood called “The Chamber House.” The Chamber House was very old; it had been built in the early 1800s when the land was part of a Virginia plantation and was situated in a remote wooded area. At one time it had been used as a smokehouse.  The seven men who comprised The Brotherhood never spoke of its existence to anyone outside the group. It was nearly midnight when they approached it. The leader of the group unlocked the massive iron gate that opened into an outer chamber. He switched on a pair of lights which flanked the inside of the entry. The soft, yellow light that they emitted couldn’t quite erase the profound shadows which painted the far recesses of the building’s interior. Boxes and old farm machinery lurked in the gloom, all of it very old. The building’s inner wall was fitted with a door made of rough logs banded with iron and fitted with seven locks.  Curiously, a large iron bar spanned the door, as if to prevent its being opened from the inside. The men stood quietly for several minutes until the leader, after checking an ornate gold pocket watch, spoke:

“It’s time.”

Each of the followers had a key which they used to open one of the locks. When they had finished, the leader lifted the bar and opened the door. The group entered the inner  brick-walled room. The room was circular, with a diameter of about sixteen feet.  Its sooty black walls muted the already dim glow that leaked in from the lamps in the outer hall. In the center of the room was an old wooden table, darkened by age. Upon it lay a shrouded figure. The leader took his place at its head while the other men stood on either side. After standing in silence for a few minutes, twelve chimes from the leader's pocket watch signaled midnight. Again the leader spoke:

“Remove the shroud.”

The heavy black velvet cloth was gently lifted and neatly folded and placed at the foot of the makeshift bier. The body on it was that of a mature woman, naked. Her skin was smooth and pale, almost pearlescent, and without flaw. She could have been mistaken for an alabaster statue, if not for her hair. The leader raised his hands and the other men followed suit.

“Brethren, as we gather here to honor the passing of one of our own, we will affirm our pledge to The Brotherhood and the principles upon which it was founded,” began the leader, ”Join with me in the sacred pledge.”

The group began to speak in unison:
“We, the Sons of God, in abeyance to the sacred spirit within each of us, with the authority vested within us by spiritual law, rededicate ourselves to the cause of suppression of those base and animal instincts present in Satan’s vessels: Women and their carnal desires, Pagans and their idolatry, and the threat of mongrelization from the lesser races.”
The leader then spoke again:

 “As proof of our dominion over the powers of sorcery, we will commence the laying on of hands.  The body that lies here before us shall remain imprisoned. We exercise this power in the name of God The Father, Son and Holy Spirit. We condemn you, Emily Carroll, vessel of Satan, to an eternity of suffering.”



Mary dreamt.

She was in a tomb, lying naked on a platform, encircled by seven old men. She could sense an immense hatred, manifested in the black auras which draped their shadowy figures. They were  chanting, but the words were unclear. Mary felt cold. Suddenly, the presence of Emily was very strong. The group of men stopped chanting and one of them began to speak:

“By the power of God The Father, Son and Holy Spirit, we condemn you, Emily Carroll, vessel of Satan, to an eternity of suffering.”

And then Mary/Emily felt their hands: crablike in their movement, crawling over the surface of her skin, harshly touching her in a profane caricature of a caress. Waves of nausea began to spread over her.

Mary woke. She dashed into the bathroom, barely making it to the toilet before copiously vomiting. The figures on the wall seemed to be mocking her now. As she regained her composure, she sensed Sean in her thoughts.

“Mary, are you alright?”

“I’m OK, now,” she thought, “How about you?”

“I’m not sure,” Sean thought, “What does it mean?”

“I’m not sure either, but whatever it is, we’ve got to find a way to help Emily.”



In the Reykjavík suburb of Kópavogur, Þora Sigmundsdóttir was awakened by the cries of her toddler.

Fjandinn, 04:00. Hvers vegna er það alltaf vera 04:00?”

She went into the child's room.  Young Vilhjálmur Stefán, standing in his crib, was shaking violently and covered in puke.

Allt þetta, og flensu hann fær!” Þora said.




Fiction


By Professor Batty


Friday, August 05, 2016

Missives from the Jazz Age

            
           This Side of Paradise            The Letters of Adolf Dehn
          by F. Scott Fitzgerald           Archives of American Art

   The last light fades and drifts across the land–the low, long land, the stony land of spires; the ghost of evening tune again their lyres and wander singing in a plaintive band down along the long corridors of trees; pale fires echo the night from tower top to tower: Oh, sleep that dreams, and dream that never tires, press from the petals of the lotus flower something of this to keep, this essence of an hour.
    No more to wait the twilight of the moon in this sequestered vale of star and spire, for one eternal morning of desire passes to time and earthy afternoon. Here, Heraclitus, did you find in fire and shifting things the prophecy you hurled down the dead years; this midnight my desire will see, shadowed among the embers, furled in flame, the splendor and the sadness of the world.


~F. Scott Fitzgerald, 1920

Dear Lost Lover,

    I received your letter. But we will not talk of that now. I want to talk of myself–that funny little thing they call Wanda Gäg—that far from dazzling creature who, many years ago, made the great mistake of falling in love with you… I insist that I have loved more deeply and intensely than anyone else can, Mushka included. As I have said before, I certainly do not blame you for what has happened. But that does not lessen the torture in the least. The fact remains that I am the superfluous quantity…

   Thoughts, like beaten hounds, parade apathetically away before me… So, we are not to be the companions we tried for seven years to become. We are not to wrangle with the big forms of mountains, which we were to bring in more closely together… That indefinable thing between us does not exist after all; I had organized my life around an illusion, we do not belong together. You are Adolph Dehn, and I am Wanda Gäg, a separate thing…

~Wanda Gág, 1922

I've been in a time warp lately, exploring the early "Jazz Age", 1915-1922, via the written efforts of F. Scott Fitzgerald and his exact contemporaries: Artist Wanda Gág and her friend/lover/fellow artist Adolf Dehn. Fitzgerald through his breakthrough first novel, and Dehn and Gág through their correspondence.  In each cases I was struck by the brilliance of the writing.

The Paradise quote is about leaving college (Princeton) before Scott's protagonist, Amory Blaine is about to enter the Army. It is an interjection—not a spoken quote—just a few paragraphs directly from the author to the reader. Fitzgerald was justly heralded for his innovate writing, although he was also criticized for abandoning strict plotting and exposition; departures which would be scarcely commented upon in a modern novel.

The second quote is a reply to Dehn's break-up letter to Gág; he was living in Europe and fell for a 19 year old Russian dancer. Little wonder that she was upset! Nevertheless, after the breakup they remained friends. Their split was evidently a catharsis for Wanda, her art blossomed and she finally managed to field satisfactory relationships.

The letters were on microfilm in The Minnesota History Center, a great resource. Just up the hill from the Center is Summit Avenue. It is where Fitzgerald lived when he completed Paradise, in the third floor garrett. His brownstone townhouse is still there, and it is for sale:




By Professor Batty


Comments: 3 




. . . . . . . . . . . . . . . . . . . . . . . . . . . . ©Stephen Charles Cowdery, 2004-2026 . . . . . . . . . . . . . . . . . . . . . . . . . . .