Monday, April 19, 2004

Tónlist

Here is the list of the various Icelandic and other Nordic/Arctic musical groups I’ve mentioned in FITK over the years:

Áki Ásgeirsson
Amiina
Andy Schauf
Apparat Organ Quartet
Árný
Árný Margrét
Atli
Ásthildur Ákadóttir
Ateria
Áuslaug Magnusdóttir
Æla

Baggalútur
Bára Gísladóttir
Bárujárn
Bedroom Community
Benni Hemm Hemm
Between Mountains
Biggi Hilmars
Björk
Björt
BKPM
Bláskjár
Borko
Bríet
Brimheim
Buff

Cosmic Call
Cyber
Daníel Bjarnarson
Ditka
DJ Margeir
Dr. Spock
Egill Sæbjörnsson
Eivør
Elin Hall
Elisapie
Evil Madness
Flesh Machine
Fókus
Frid Fufanu

Gabriel Ólafs
Geðbrigði
Ghostigital
GKR
GDRN
Greyskies
Gróa
Grúska Babúska
Guðmundur Óskar Guðmundsson
Guðni Thorlacius Jóhannesson
Guðrið Hansdóttir
GusGus
Gyða

Hafdís Huld
Halla Tómasdóttir
Halli Guðmundsson
Ham
Hekla
Hekla Magnúsdóttir
Hellvar/Heiða
Hildur Gunðadóttir
Hildur
Hilmar Örn Hilmarsson
Hjaltalín
Hjörvar
Högni
Hraun
Hudson Wayne
Hugar
Iðunn Einars

Jakobínarína
Jana
JFDR
Jófríður Ákadóttir
Jóhann Jóhannsson
Jóhanna Elísa
Jóhanna Rakel
Jonathan
Jonfri
Joshua Wilkinson
Júniús Meyvant
K.Óla
Kaktus Einarsson
Kalli
Kevin Cole
Kimono
Kira Kira
Kiriyama Family
Kitchen Motors
Kjallarakabarett Kónguló
Kristín Sessala
Kvikindi

Langi Seli Og Skuggarnir
Larus Halldór Grimsson
Liva Mo
Ljáðu Okkur Eyra
Lupina
Mag og Tómas
Magnús Jóhann
Marius DC
Markús & The Diversion Sessions
Marta Ákadóttir
Mikado
Mezzoforté
Mr. Silla
Mugison
Múgsefjun
Mukka
Múm
My Summer as a Salvation Soldier
Mysterious Marta
Neonme
Nini Julia Bang
Nóra

Oculus
Ojba Rasta
Ólafur Arnalds
Ólöf Arnalds
Orphix Oxtra
Osmé
Óttarr Proppé
Pale Moon
Páll Óskar
Pellegrina
Pascal Pinon
Pellegrina
Peter Evans
Petúr Ben
Rakel
Red Barnett
Retro Stefson
Reykjavíkurdætur
Róshildur
Rokkurró

Salka Valsdóttir
Samaris
Screaming Masterpiece
Shadow Parade
Shahzad Ismaily
Sigrún
Sigrún Stella
Sin Fang Bous
Sindrí
Siggi Ármann
Sigur Rós
Ske
Skúli Severrisson
Sóley
Sólstafir
Sprengjuhöllin
Stórsveit Nix Noltes
Sunna Margrét
Svavar Knútur
Sycamore Tree
Systur

Tappi Tíkarrass
Team Dreams
Tilbury
Toggi
Úlfur Eldjárn
Ultra Mega Technobandið Stefán
Una Torfa
Uni
Unun
Útidúr
Valgeir Sigurðsson
Vicky
Wim Van Hooste

† = Fellow Travelers

By Professor Batty


Tuesday, September 23, 2008

Icelandic Cinema and Me

There have been a number of notable films with strong connections to Iceland in the last few years.
The IMDb lists 302 titles in its Iceland section. I'll be giving a short impression of the ones I've seen, (using English titles) seeing any one of them is definitely the next best thing to being there...

101 Reykjavík, 2000, probably the most well known release of the last ten years, an unflinching look at the wild side of "101"- the central district of Reykjavík. I had a discussion about this film with a native in the Laugardalslaug pool, he was not at all pleased with its depiction of the city.

Beowulf and Grendel, 2005, Not the Angelia Jolie film, but the same story, told pretty well on a striking Icelandic location.

Cold Fever, 1995, Japanese-Icelandic production, very good, quirky, touching at times. Lots of countryside.

Screaming Masterpiece, 2005, The Icelandic music scene, wildly uneven, a must for music fans.

Dís, 2004, Coming of age story written by a woman who was a night clerk at Hotel Borg (Shen was working the night desk the time I stayed there), not the greatest film, but lots of Reykjavik locales, with a cameo from Vigdís Finnbogadóttir and soundtrack by Jóhann Jóhannsson.

Heima, 2007, Sigur Rós concert film, and much, much more. #1 rated documentary at IMDb.

The Juniper Tree, Brothers Grimm-type story concerning witchcraft set amidst Icelandic scenery. Björk's film debut. A bit thin on drama but very good atmosphere.

Cold Light, 2004, a brooding, dark film about a man haunted by a childhood trauma. Extremely well done, not for everyone. Good views of modern life in Reykjavík.

The Seagull's Laughter 2001, great film about an extended family of women whose worthless men meet their demise in various "accidents." Told from the point of view of a girl on the verge of adolescence. A must see.

Jar City, 2006, an Inspector Arnaldur mystery. Taut mystery with good cast, very dark, excellent location shots.

Noi the Albino, 2003, a peculiar young man in an isolated town on the northern coast of Iceland. Very odd, even by Icelandic standards, well worth viewing if you enjoy a Twilight-Zone type story.

There are obviously many more, some titles I've left off because they were not directly concerned with Iceland (notably Niceland, 2004, A Little Trip to Heaven, 2005, Dancer in the Dark, 2001) and there are some I've been wanting to see but haven't yet had the chance (The Sea, Angels of the Universe) to say nothing of the Halldór Laxness books that have been filmed (Salka Valka, 1954, and Atom Station, 1984.) Most of those are in Icelandic only, some aren't available in compatible formats.

I found Noi at my local Hollywood. Netflix should have most of the others...

UPDATE! Check out Rose's reviews of selected Icelandic films!

By Professor Batty


Comments: 2 


Wednesday, September 19, 2007

Jóhann Jóhannsson

           Jóhann Jóhannsson

I just received the soundtrack album for Screaming Masterpiece, a 2005 documentary on "One Thousand Years of Icelandic Music." The movie itself was a bit disjointed, but the soundtrack is an excellent distillation of the experience, with 16 full-length tracks including "Hrafnagaldur" (Odin's Raven Magic)- a thousand year old poem set to music and performed by an orchestra that also included Sigur Rós, a large choir and a pair of stone xylophones! It was a shorter track on the CD, however, that really caught my ear- Odi et Amo by Jóhann Jóhannsson, a haunting blend of strings, altered voice and keyboards that stopped time for me; taking me away from my rainy day doldrums. I'd seen Jóhann last year in Iceland, performing with three different ensembles, in three different venues, in three different genres. This track shows yet another side of the man. Worth seeking out, there's a live performance of it with a harmonium introduction by the man himself here.

By Professor Batty


Comments: 0 


Thursday, February 02, 2012

Iceland Airwaves 2012


Iceland Airwaves crowd, 2011

Numerous videos and films have covered Iceland Airwaves in the past, most notably the full-length Screaming Masterpiece (2005) which derived most of its footage from the festival. None of them have really given more than just fractured glimpses, and none have really captured the feeling of what is like to be part of the scene. There's a new promo video out, sponsored by Icelandair. It is really just a redone version of last year's but with some new scenes, interviews and a little tighter editing.

AIRWAVES- a Rockumentary by Gudjon and Bowen Staines gives a coherent look at what is essentially an unclassifiable event: over one hundred Icelandic acts, numerous international groups poised on the cusp of greatness, in an incomparable setting. Don't take my word for it. Watch the 40 minute video, in full-screen HD if you can, it really gives a sense of being there.

There are some problems the film only addressed obliquely, however. The festival may becoming a victim of its own success- more shows are being steered toward Harpa, a large complex of auditoria on the waterfront. It was built by somewhat dubious financing. Harpa is almost the antithesis of the festival's homegrown roots. Pushing the date into November may mean that those sunny scenes of frolics in the Blue Lagoon (shown in the video) are already a memory. Still, it is the spirit of the young (and young at heart) people of Iceland which is what The Airwaves Festival is all about.

I'm almost ready to make my reservations.

For those who can't wait until November, Live in the Lobby is a weekly concert series held at the Downtown Hostel. Many thanks to Auður Ösp, from the I Heart Reykjavík web site for the tip. I've seen many clips from shows held there- it is a very intimate and inviting place. Be sure to check out Auður's site- it is full of ideas for fun in Reykjavík and the surrounding area (that's her in the screenshot above- right below the woman showing her teeth in the center of the picture.)

By Professor Batty


Comments: 4 


Thursday, April 27, 2006

Coming Soon, To A Theatre Near You...

Saw Ari Alexander's documentary Screaming Masterpiece tonight, a glorious mess of a film about the Icelandic music scene. Taking notes, of course, on the must-sees and must-to-avoids for the Icelandairwaves Festival in October. The striking thing about the whole thing is the broad age and style spectrum of the featured musicians and performers. A few clips from Rokk Í Reykjaví­k were thrown in, and I was pleasantly surprised at how well they held up (I simply must get a PAL video player!) About three-quarters of the way through, during a quick shot of some club goers, I was startled by the appearance of a certain L. M. Loopy for a split second.
(Was that really her? It could have been? It was only a few frames, and only a backwards glance at that...nah...yeah! It was her.)

I can run, but I can't hide.

By Professor Batty


Comments: 2 


Friday, September 18, 2020

Fire on the Mountain

This is chapter 39 of The Inheritance, a serial fiction novel on FITK

Friday Morning, September 18, 2020, Seattle

Mary woke with a start.

She had been dreaming that Mareka was in a forest that was burning. The fire had surrounded Mareka and tendrils of flame were licking at her clothing. As Mary shook off her cobwebs she realized that Mareka was calling her. Mary got up and went to her daughter’s room where Mareka was calling out for her in her sleep. Mary put her hand on the child’s forehead and spoke to her in a soothing voice.

“I’m here, baby girl,” Mary said, “Wake up honey, it was just a dream.”

Mareka slowly awoke. She was breathing heavily and restlessly turned from side to side.

“Oh mother, everything was on fire, I could hear the animals screaming, it was awful.”

"I had bad dreams too, dreams of fire. The smoke in the air is from the fires, to the east of here, and in Oregon and California. A lot of people are having those dreams.”

"When will the smoke go away?” aked Mareka.

“I don’t know, they’ve been saying that it may be tonight, or it may be tomorrow,” Mary said, “Com’on, get dressed, we’ll have some breakfast before school starts.”

When they got to the kitchen, Jo was already there.

“You guys didn’t sleep so well, did you?” said Jo.

“Bad dreams, both of us,” said Mary.

“I heard you talking,” said Jo, “So I thought I’d make you some blueberry pancakes. They’ll erase any bad dreams you may have.”

“Yum,” said Mareka, “My favorite.”

“What’s today’s lesson?” said Mary, “Are you ready for it, Mareka?”

“Numbers and adding,” said Mareka, “I’m ready, but I don’t know about Benny. He isn’t so good with numbers.”

“He’ll get it,” said Jo, “He’s just a bit of a dreamer, too.”



Barbara Merrit was meeting with Marcel DuPage for the first time since they had gone to the Khorosho Tavern. They were in the Olympic Sculpture Park, wandering in Wake, the huge Richard Serra sculpture.

“So, you were telling me over the phone that you had a little action the other day?” said Marcel, “I assume that’s why we’re here, playing a game of cloak and dagger.”

“It’s no game, I nearly met my maker when I was walking my dog," she replied, “My dog wasn’t so lucky.”

“Someone killed your dog?”

“I was next, but an FBI agent intervened.”

“So who was it?” asked Marcel, “And why did he pick you?”

Barbara Merrit paused to choose her words carefully.

“Evidently, when you and I were poking around above that tavern we had stumbled across what the agent said was a “sleeper cell” of foreign agents. He wouldn’t say what country they were from but I think you can figure it out.”

“And now we’re both in danger?”

“Maybe, maybe not,” said Barbara, “The cell has cleared out. Whether they will be any further action against us remains to be seen, or so says the FBI.”

“What happened to the man who attacked you?”

“He was shot and killed, but there was no mention of it in the news. The agent told me that I should forget about it. Evidently they have ways of disposing unsavory characters. He also said that if I continued my investigations that I might be the one being disposed of.”

“You could stay with me, if it would make you feel safer,” said Marcel.

Barbara Merrit laughed.



Mareka and Jo were sitting on the front porch, waiting for the other children to arrive at their little home school. The sun, glowing through the smoke, was surrounded by blood-red skies.

“Is this how the world will end, Jo?” said Mareka.

“No… look! Here come Benny and Jack,” said Jo, “And that’s Sara coming up the hill with her parents. This is the way the world, your world, begins… with math!”

The children filed into the garage/classroom to begin their school day. Sean and Mary were in the kitchen discussing the publication of the new book of the art of Sean’s grandmother Emily.

“Well, it’s pretty obvious that Mareka’s commentaries are the best choice for the text, even if they have been channeled through her from Emily herself,” said Sean, “Have you gotten any further communication from Emily?”

“No, nothing at all,” said Mary, “When she was with us, Emily said she wanted to see her great-granddaughter, I guess this is the way she’s doing it. How can we justify putting what a seven-year-old said into an art book?”

“We could just say ‘Text by M. Robinson’ which wouldn’t be untrue.”

“I can see that coming back to bite us, but it’s probably the most workable solution,” said Mary, “Have you heard from the printer about the feasibility of doing a print-on-demand of the individual works?”

“He didn’t think it would be a problem, once the initial scans have been done. He’s going to have a test print and a breakdown of the costs for us next week, if we don’t all perish from the smoke by then.”

“Is it just me, or has it suddenly gotten brighter outside? The wind might finally be shifting.”

They went out in the backyard and could see a definite clearing of the air.

“Maybe this is an omen,” said Mary, “Maybe things are going to start looking up.”

“It’s been a hell of a year so far,” said Sean, “We could use a glimpse of heaven.”



Next chapter: Mareka Paints Her Masterpiece

By Professor Batty




. . . . . . . . . . . . . . . . . . . . . . . . . . . . ©Stephen Charles Cowdery, 2004-2026 . . . . . . . . . . . . . . . . . . . . . . . . . . .